Herbert Vogel (August 16, 1922 - July 22, 2012) and Dorothy Vogel (born 1935), once described as "proletarian art collectors," worked as civil servants in New York City for more than a half-century while amassing what has been called one of the most important post-1960s art collections in the United States, mostly of minimalist and conceptual art. Herb and Dorothy Vogel, with the assistance of the National Gallery of Art and Institute of Museum and Library Services, gifted 2,500 works from their collection throughout the nation, 50 works going to a selected arts institution in each state in the country. Herbert Vogel died on July 22, 2012, in a . HERB & DOROTHY tells the extraordinary story of Herbert Vogel, a postal clerk, and Dorothy Vogel, a librarian, who managed to build one of the most important contemporary art collections in history with very modest means. Through the Vogel's story we learn how much art may be a part of life in a meaningful way, involving sacrifice, pure passion, and curiosity. They used Dorothy's income as a reference librarian for living expenses and Herbert's postal clerk salary to acquire contemporary art. He spent nearly 50 years living in a 450-square-foot one-bedroom. Herb & Dorothy: The Art of Collecting. On display in "Many Things Placed Here and There: The Dorothy and Herbert Vogel Collection at the Yale University Art Gallery," clockwise from top right: "Study of Herb and Dorothy Vogel . Born and raised in Harlem, Vogel worked for the post office in Manhattan. The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States. One of their salaries was used for buying art, the . For the couple, collecting contemporary art was more than a passion. It is telling that a couple who made less than $100K per year has amassed a more important art collection than any of the heirs and heiresses, moguls, and celebrities who have taken to . As the Vogels continued . The whistling collective welcomes whistlers from all ages and all skill levels, but passion is a prerequisite. Herbert Vogel (1922-2012), spent most of his working life as a postman, and Dorothy Vogel (born 1935), was a reference librarian at the Brooklyn Public Library. Washington, DC(Updated December 9, 2008) New York collectors Dorothy and Herbert Vogel, with the assistance of the National Gallery of Art, the National Endowment for the Arts, and the Institute of Museum and Library Services, have launched a national gifts program entitled The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States. He was a postal clerk. The second film, Herb and Dorothy 50 X 50, was completed in 2013. Their focus was conceptual and minimalist art. Herb and Dorothy Vogel, now both retired . Herb and Dorothy Vogel at Art Basel Miami Beach, 2008. Through this program, the Vogels have donated a total of 2,500 works by . Mr Vogel,. The best-known aspects of the Vogel Collection are minimal and conceptual art. . Lord of the Lips is a documentary-in-progress about The Indian Whistler's Association, which is exactly what it sounds like: a collective of whistling enthusiasts from all over India. Herb and Dorothy's lives are a fascinating moment in American history, but there is more to learn from this pair than a simple art history narrative. Since their marriage in 1962, Dorothy and Herbert Vogel (d. 2012) assembled one of America's most notable collections of contemporary art, especially drawings. Sadly, Herb Vogel passed away on July 22, 2012. With a passion for art they decided to live on Dorothy's salary and use Herb's salary (never more than $23,000 a year) to collect art. Herbert & Dorothy Vogel are a working-class couple who decided, upon their marriage in 1962, to collect contemporary art. They assembled over 2,000 works from 1960 to 1992, which they stored in their tiny New York apartment. Filming for 50 X 50 was nearly complete when Herb Vogel passed away last summer, and the director beautifully showed life for Dorothy after Herb's passing. She was a librarian. Despite meager resources, the Vogels amassed one of the most important collections of late 20th Century art. The first, Herb and Dorothy, was released in 2008. This bizarre New York love story finds Herb Vogel, a postal worker from Harlem, and Dorothy . Sixteen years after Herb and Dorothy . With modest means, this couple managed to build one of the most important modern art . Herbert and Dorothy Vogel are among art history's most unusual collectors and museum benefactors. Filmmaker Megumi Sasaki has made two documentaries about the couple and their collection. Herbert (left) and Dorothy Vogel own a collection that features Carl Andre's works (Getty Images) On the surface, Herbert Vogel and his wife Dorothy lived an ordinary life in New York. In late 2008, they launched The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States along with the National Gallery of Art, the National Endowment for the Arts, and the Institute of Museum and Library Services. [18] The program donated 2,500 works to 50 institutions across 50 states and was accompanied by a book with the same name. Photograph by Tom Loonan. They lived off Dorothy's income and used Herb's for collecting. Herb sorted mail for the United States Postal Service and Dorothy was a librarian. . The more you live with . Abstract art is the kind of experience that challenges a viewer to find words to describe. which led to the creation of The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project. HERB & DOROTHY 50X50, a follow-up to the award-winning documentary HERB & DOROTHY, tells the story of a remarkable new chapter in the life of the legendary art collecting couple, Herb and Dorothy Vogel, through their historical gift project, The Dorothy and Herbert Vogel Collection: 50 Works for 50 States. (Cecil Lockard) . Slowly, deliberately, but with the eyes of true connoisseurs, the Vogels built up their collection, which some estimate at about 5000 pieces, all on the combined modest salaries of a librarian. Little by little, they purchased affordable piecesmostly drawingsuntil their collection started to generate attention. The Vogel Collection - High Museum of Art The Vogel Collection Dorothy (born 1935) and Herbert (1922-2012) Vogel collected minimalist, conceptual, and post-1960s art for over four decades. In 1992, the Vogels formed a partnership with the National Gallery of Art in Washington, D.C., placing in its custody more than 1,100 works of art as gifts or promised gifts. . Thank you, Herb and Dorothy Vogel An exciting find: Don Judd's Untitled work from 1965, a piece from the Vogel collection on exhibit at the National Gallery of Art, East Building. It had been the hope of the HERB & DOROTHY filmmaking team that both Herb and Dorothy would be able to see the new film. Herb Vogel never earned more than $23,000 a year. They were hardly wealthy individuals. Yet the Vogel collection does have other kinds of value, however, beside that of presenting . Fifty Works for Fifty States. Herbert and Dorothy Vogel at the University of Michigan in 1978, from "Herb & Dorothy", an Arthouse Films release, 2009. F irst-time filmmaker Megumi Sasaki's documentary Herb & Dorothy is as simple and straightforward as the subjects of its title: a sweet, soft-spoken New York City couple that, over a 30-year period beginning in the early '60s, amassed more than 4,000 works of minimalist and conceptual art whose value is estimated in the millions of dollars. In Herb and Dorothy, a 2008 film about the pair, Dorothy Vogel acknowledged that the art she and Herb collected was hard to appreciate: "These things you have to live with. The film shows how utterly their marriage revolved around artists and gallery visits, until. To at that time, its value was estimated at several millions. Herbert Vogel, who passed away last year at the age of 89, was a postal clerk and Dorothy a librarian, who is now retired. Herb and Dorothy is a 2008 documentary film by Megumi Sasaki.The film tells the story of two middle-class collectors of contemporary art, Herbert and Dorothy Vogel, and the enormous and valuable collection of conceptual art and minimalist art they amassed in spite of their relatively meager salaries as New York City civil servants. This game changing moment shows the transition of the Vogels as passionate bystanders instead of active participants. The National Gallery's Vogel collection now contains over 900 works, and nearly 300 more have been pledged to the museum. Clip: Season 11 | 4m 11s. Installation view of Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection (January 22-May 9, 2010). The National Endowment for the Arts created a catalogue to be distributed to each of . There are teeth whistlers, bird whistlers, warblers, and puckers. Many artists are interviewed in the film, including Christo . With this project, fifty works of art from the collection is being gifted to a museum in each of the fifty States, for a total of 2,500 works. The Vogels were the subject of a touching documentary, "Herb and Dorothy," that was released in 2008. With very modest means (both were civil servants) and a persistent drive to understand the "who" and "why" of the art world around them in New York City, they managed to amass a collection of about 4,000 works of art. In the early 1960s, when very little attention was paid to Minimalist and Conceptual Art, Herb and Dorothy Vogel quietly . Setting their collecting priorities above those of personal comfort, the couple devoted Herbert's salary to the acquisition of contemporary art. Dorothy and Herbert Vogel began collecting art in the 1960s. They lived frugally in a rent-controlled two . Primarily a collection of drawings, the 2,500 works the Vogels are donating also include paintings, sculptures, photographs, and prints by more than 170 contemporary artists, mainly working in the United States. Herb was a mail sorter at the post office and Dorothy was a librarian at the Brooklyn Public Library.
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